I had read a few years back that the sun rises and sets in
different arcs over the planet depending on two facts; our visual relation to
the equator and the seasonal time of year. I wanted to visually experience this for myself and became
impelled to embark on a technically challenging undertaking to evidence these
facts.
Here begins Chasing Suns, a long-term photographic project
spanning various locations in Europe and Asia who’s objective is to gain the
truth of our closet star’s movement across the sky.
Exposures of one minute to 24 hours record not only the
sun's movement, but also the atmospheric conditions of the event. Over exposed
paper negatives record an extended glance of this daily occurrence, an occurrence
unable to be observed by the human eye. On combining the images from differing
equatorial points, a visual language, a language away from the complexity of
scientific mathematical equations emerges. However, the use of multiple apertures and the over layering
of images brings into question the scientific validity of the images, as the
aesthetic nature of the photographs starts to emerge. The end struggle being the empirical
endeavor verses the romantic notion.
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CHASING SUNS 52 & 3 degrees # 1 - Pauline Woolley 2014 |
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CHASING SUNS 52 & 3 degrees # 2 - Pauline Woolley 2014 |
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CHASING SUNS 52 & 3 degrees # 3 - Pauline Woolley 2014 |
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CHASING SUNS 52 & 37 degrees # 4 - Pauline Woolley 2014 |
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CHASING SUNS 52/39 degrees # 5 - Pauline Woolley 2014 |
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CHASING SUNS 52 degrees # 6 - Pauline Woolley 2014 |
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CHASING SUNS 52 degrees # 7 - Pauline Woolley 2014 |